We’ve maybe only put our head down a few inches into the warm clear sea, our backs are still up there in the sunshine, but we’ve entered another world; strands of seaweed billow elegantly in the light currents; a crab goes by on the sandy bottom; there’s a bright small clownfish darting about. We float and observe; we’re not really participants - there’s nothing we’re supposed to do. The rest of life above, suddenly, feels slightly unreal and irrelevant, relativised by this vast new world that is so rarely spoken of. We’re in an alien element that would drown us - were it not for a short section of tube, which assures us total safety. It takes only a simple, ingenious device to massively extend the range of our experience. All society’s excitement seems directed towards discovering new planets. And yet we need only slip on a mask - and can discover galaxies.
At present, our culture is dominated by a Romantic outlook; its predecessor, and in many ways its more deserving alternative, is a Classical view of life. Classicism is founded upon an intense, pessimistic awareness of the frailties of human nature and on a suspicion of unexamined instinct. The Classical attitude knows that our emotions can frequently over-power our better insights, that we repeatedly misunderstand ourselves and others, and that we are never far from folly, harm and error. In response, Classicism seeks via culture to correct the failings of our minds. Classicism is wary of our instinctive longing for perfection. In love, it counsels a gracious acceptance of the ‘madness’ inside each partner. It knows that ecstasy cannot last, and that the basis of all good relationships must be tolerance and mutual sympathy. Classicism has a high regard for domestic life; it sees apparently minor practical details as deeply worthy of care and effort; it doesn’t think it would be degrad...

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